Quem namorou Charles-Maurice de Talleyrand-Périgord?

Charles-Maurice de Talleyrand-Périgord ONLH OSE (Paris, 2 de fevereiro de 1754 – Paris, 17 de maio de 1838) foi um político e diplomata francês. Ele ocupou em quatro ocasiões diferentes o cargo de Ministro dos Negócios Estrangeiros e também foi o primeiro Primeiro-Ministro da França entre julho e setembro de 1815 sob Luís XVIII depois da restauração francesa.

Anne-Louise Germaine de Staël-Holstein (Paris, 22 de abril de 1766 – 14 de julho de 1817), mais conhecida como Madame de Staël, foi uma intelectual, ensaísta e romancista francesa, que presenciou em primeira mão a Revolução Francesa, a Era Napoleônica e a Restauração. Ao lado de Benjamin Constant, ela formou um dos casais intelectuais mais celebrados de seu tempo. Ela foi uma das mais conhecidas opositoras a Napoleão e, com sua obra Da Alemanha, despertou o interesse do restante da Europa na cultura alemã.

Countess Anna Charlotte Dorothea von Medem (3 February 1761 – 20 August 1821) was born a Gräfin (Countess) of the noble Baltic German Medem family and later became Duchess of Courland. Popularly known as Dorothea of Courland after her marriage to Peter von Biron, the last Duke of Courland, she hosted an aristocratic salon in Berlin and performed various diplomatic duties on behalf of her estranged husband. She would spend the rest of her life in her estate in Löbichgau, where she would invite and host many important political and cultural figures of the time and make many acquaintances, ranging from Goethe over Napoleon I of France to Talleyrand, the latter of whom she was reportedly very close.

Dorothée Dorinville, stage name Mademoiselle Luzy (1747–1830), was a French stage actress.

She was engaged at the Comédie-Française in 1764. She became a Sociétaires of the Comédie-Française in 1764. She retired in 1781.

She was most known as a soubrette, but also performed tragedy, and acted as a singer and dancer. She was described as a serious and ambitious stage artist, and was a part of the movement that wished to introduce realistic stage costumes. She was imprisoned in 1771 after having broken the censure laws in a play by Imbert.